Ongoing
她不喜欢任何无趣的hanging on the wall的策展实践，一切有趣的、大胆的、新的实践她都愿意尝试。
媒介研究的背景让她始终将策展作为解剖技术权力的手术刀.她更关注以网络艺术、计算机艺术为代表的，来自数字界面背后的算法偏见与权力幽灵。同时,她以第十五届卡塞尔文献展为样本，对照东南亚与中国华南地区的艺术自组织的游击式策展，深入剖析了艺术机制中隐性的中心-边缘动态。
She disdains any uninspiring "hanging-on-the-wall" curatorial conventions, instead actively embracing experimental, bold, and innovative practices. With a background in media studies, she consistently approaches curation as a scalpel for dissecting technological power, focusing on algorithmic biases and the specters of power embedded within digital interfaces—particularly in net art and computational art.
Currently,taking Documenta 15 as a case study, she contrasts it with the guerrilla-style curation of artist-run initiatives in Southeast Asia and South China, critically examining the implicit center-periphery dynamics in art institutions.