Curatorial  

Ongoing

她不喜欢任何无趣的hanging on the wall的策展实践，一切有趣的、大胆的、新的实践她都愿意尝试。

媒介研究的背景让她始终将策展作为解剖技术权力的手术刀.她更关注以网络艺术、计算机艺术为代表的，来自数字界面背后的算法偏见与权力幽灵。目前她正以第十五届卡塞尔文献展为样本，剖析国际双年展体系中的固化权力体系与艺术自组织的游击式策展，同时将华南地区自发形成的城中村艺术社群作为对照组研究。


She disdains any uninspiring "hanging-on-the-wall" curatorial conventions, instead actively embracing experimental, bold, and innovative practices. Her background in media studies informs her approach to curatorship as a scalpel for dissecting technological power structures. Her research focuses particularly on algorithmic biases and spectral power dynamics behind digital interfaces, as manifested in net art and computer-based artistic expressions.

Currently, she is examining the 15th Kassel Documenta as a case study to analyze entrenched power hierarchies within the international biennial system and guerrilla-style curatorial tactics of artistic self-organization. Parallel to this, she conducts comparative research on spontaneously formed art communities in urban villages across Southern China.







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03 Hui：Thresho Wandering｜洄：临界穿行

Co-curator 2024/5

展览前言
Exhibition Statement此次展览聚焦于「洄游」与「临界」两个主题概念,前者在此不仅象征生物学上的迁徙循环现象，更代表着一种线性时间轴上向前回溯的、对集体记忆和生存意义的求索——在更具体的艺术表达中，这一概念被转化为对过去、现在与未来之间相互关系不断流转和变迁的探讨；而「临界」，引用英国作家罗素·霍布恩的话：“回顾过去，我们眼中所看到的是未来的种子；而望向未来，我们看到的则是过去的反射”，我们所在的每个当下都是这样链接过去与未来的时间节点。

某种程度上这些都是基于“我们时代精神性困境”的反思和对于Way-out的寻求。基于主题概念之下，参展艺术家们利用科技手段如三维扫描、虚拟现实、AI视觉制造等，探讨现代性的线性进步逻辑的谬误，并在这一临界点上展现时代或观念的转换。


This exhibition revolves around two conceptual themes: "Hui 洄 (Migration Cycles)" and "Threshold Moments." The former not only symbolizes biological migratory phenomena but also represents a retrospective exploration along linear temporality - an inquiry into collective memory and existential meaning. Within artistic expressions, this concept transforms into an examination of the fluid interconnections and transformations between past, present, and future. Regarding "Threshold Moments," as British writer Russell Hoban observed: "Looking back, we see the seeds of the future; gazing forward, we behold reflections of the past." Each present moment serves as such a temporal nexus bridging chronology.

These conceptual frameworks emerge from reflections on "the spiritual dilemmas of our era" and the search for potential resolutions. Under these thematic umbrellas, participating artists employ technological mediums including 3D scanning, virtual reality, and AI-generated visuals to interrogate the fallacies inherent in modernity's linear progress narrative. Their works manifest at this critical juncture, revealing transformative shifts in temporal consciousness and conceptual paradigms.

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