Curatorial  
Ongoing

她不喜欢任何无趣的hanging on the wall的策展实践,一切有趣的、大胆的、新的实践她都愿意尝试。

媒介研究的背景让她始终将策展作为解剖技术权力的手术刀.她更关注以网络艺术、计算机艺术为代表的,来自数字界面背后的算法偏见与权力幽灵。目前她正以第十五届卡塞尔文献展为样本,剖析国际双年展体系中的固化权力体系与艺术自组织的游击式策展,同时将华南地区自发形成的城中村艺术社群作为对照组研究。


She disdains any uninspiring "hanging-on-the-wall" curatorial conventions, instead actively embracing experimental, bold, and innovative practices. Her background in media studies informs her approach to curatorship as a scalpel for dissecting technological power structures. Her research focuses particularly on algorithmic biases and spectral power dynamics behind digital interfaces, as manifested in net art and computer-based artistic expressions.

Currently, she is examining the 15th Kassel Documenta as a case study to analyze entrenched power hierarchies within the international biennial system and guerrilla-style curatorial tactics of artistic self-organization. Parallel to this, she conducts comparative research on spontaneously formed art communities in urban villages across Southern China.








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01 FRAGMENTED INTIMACY 亲 密 断 章

Jimei Arles Moving image Curatorial Award
Jimei Art Centre, Xiamen/China


2024年 集美 阿尔勒影像策展人入围奖
集美艺术中心|厦门,中国

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2024/11/27
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2025/1/12






02 THER NARRATIVES:Longtitude-|-Latitude
   她们的叙事・深圳站:女巠(jīng)——女韦(wěi)


Chiwan No.1 Art Centre & SWCAC NEST          Shenzhen,China
   赤湾一号艺术中心&海上世界文化艺术中心 巢美术馆
   深圳,中国

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2024/8/25
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2024/9/15





03 HUI:Threshold Wandering 洄:临界穿行

Bomb Factory| Marylebone, London 

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2024.5






04 THER NARRATIVES 她们的叙事・伦敦站 
 
Bomb Factory| Covent Garden, London 

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2024.4






05 SPACE OF FLOWS:BURROWS,SERPENTS,JACKALS
   流动空间:鼹鼠,蟒蛇和豺狼


   个人展览提案|Exhibition Proposal

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2023.2






06 CLOSE YOUR EYES:TRACING  Primitivism in  Post Modern  闭上眼睛:后现代原始溯源实践

XIXI LIVE THEATRE| Hangzhou, China
   西戏艺术中心|杭州,中国
 
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2022/3
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2022/4








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