Ongoing
她不喜欢任何无趣的hanging on the wall的策展实践，一切有趣的、大胆的、新的实践她都愿意尝试。
媒介研究的背景让她始终将策展作为解剖技术权力的手术刀.她更关注以网络艺术、计算机艺术为代表的，来自数字界面背后的算法偏见与权力幽灵。目前她正以第十五届卡塞尔文献展为样本，剖析国际双年展体系中的固化权力体系与艺术自组织的游击式策展，同时将华南地区自发形成的城中村艺术社群作为对照组研究。
She disdains any uninspiring "hanging-on-the-wall" curatorial conventions, instead actively embracing experimental, bold, and innovative practices. Her background in media studies informs her approach to curatorship as a scalpel for dissecting technological power structures. Her research focuses particularly on algorithmic biases and spectral power dynamics behind digital interfaces, as manifested in net art and computer-based artistic expressions.
Currently, she is examining the 15th Kassel Documenta as a case study to analyze entrenched power hierarchies within the international biennial system and guerrilla-style curatorial tactics of artistic self-organization. Parallel to this, she conducts comparative research on spontaneously formed art communities in urban villages across Southern China.